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Thomas Eakins
American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".

 

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Thomas Eakins Portrait Einer Dame mit Setter oil painting

Painting ID::  45300

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Thomas Eakins
Portrait Einer Dame mit Setter
mk181 um 1885 New York
   
   
     

 

 

Thomas Eakins Zwishchen den Runden oil painting

Painting ID::  45382

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Thomas Eakins
Zwishchen den Runden
mk181 1899 Ol auf Leinwand 127.3x101.3cm
   
   
     

 

 

Thomas Eakins William Rush schnitzt die allegorische Figur des Schuylkill River oil painting

Painting ID::  45383

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Thomas Eakins
William Rush schnitzt die allegorische Figur des Schuylkill River
mk181 1877 Ol auf Leinwand,aufgezogen auf Prebpappe 51.1x66.4cm
   
   
     

 

 

Thomas Eakins Der Denker oil painting

Painting ID::  45386

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Thomas Eakins
Der Denker
mk181 1900 Ol auf Leinwand 208x106cm
   
   
     

 

 

Thomas Eakins Swimming oil painting

Painting ID::  50488

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Thomas Eakins
Swimming
mk212 1885 Oil on canvas 69.7x92.4cm
   
   
     

 

 

Thomas Eakins Wagon oil painting

Painting ID::  50559

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Thomas Eakins
Wagon
mk212 1879-80 Oil on canvas 60.3x91.4cm
   
   
     

 

 

Thomas Eakins The buddie is rowing the boat oil painting

Painting ID::  50577

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Thomas Eakins
The buddie is rowing the boat
mk212 1872 Oil on canvas 61.3x91.4cm
   
   
     

 

 

Thomas Eakins Frank Hamilton cushing oil painting

Painting ID::  50991

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Thomas Eakins
Frank Hamilton cushing
mk217
   
   
     

 

 

Thomas Eakins max schmitt in a single scull oil painting

Painting ID::  56270

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Thomas Eakins
max schmitt in a single scull
mk247 1871,oil on canvas,32.25x46.25 in,82x117.5 cm,metropolitan museum of art,new york,ny,usa
   
   
     

 

 

Thomas Eakins the agnew clinic oil painting

Painting ID::  56332

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Thomas Eakins
the agnew clinic
mk247 1889,oil on canvas,84x118.125 in,213x300 cm,university of pennsylvania,philadelphia,pa usa
   
   
     

 

 

Thomas Eakins fairman rogers fyrspann oil painting

Painting ID::  56575

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Thomas Eakins
fairman rogers fyrspann
mk248 fyrspanners benpositionadnade eakins ut efter muybridges serie bastfotogrer som ban agde. eakins mecenat, fairman rogers blev fortjust ocb inbjod muybidge att balla nagra gastforelasningar i pbiladelpbia. efterat slot university of pennsylvania avtal med muybridge om att ban skulle fortsatta sin verksambet dar.
   
   
     

 

 

Thomas Eakins professor agnews klinik oil painting

Painting ID::  56576

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Thomas Eakins
professor agnews klinik
mk248 denna valdiga malning gav de medicinstuderande vid pennsylvania university bade ett portatt av ferad profeddor, som snart skulle ga i pension, ocb av dem sjalva som publiken i operationssalen, men amnet, mastektomi, ansags inte trevligt for damer att se pa ocb fick inte cisas pa konstakademins utstakkning. verket fortsatter att vacba debatt, tramst pa grund av de sexuella implionerna som, enligt somligas asikter,fortangs om man enbart accepterar det som en dok umentaion av de moderna medicinska metoderna for nar kos antiseptik.
   
   
     

 

 

Thomas Eakins Gross doctor's clinical course oil painting

Painting ID::  56950

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Thomas Eakins
Gross doctor's clinical course
mk250 Year in 1875. Oil on canvas, 243.8 x 198.1 cm. Philadelphia's Jefferson Medical College of Thomas Jefferson University.
   
   
     

 

 

Thomas Eakins Max Schmitt in a single scull oil painting

Painting ID::  58721

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Thomas Eakins
Max Schmitt in a single scull
Max Schmitt in a single scull (1871), Metropolitan Museum of Art, New York.
   
   
     

 

 

Thomas Eakins The Gross Clinic oil painting

Painting ID::  58722

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Thomas Eakins
The Gross Clinic
The Gross Clinic. According to one prescient reviewer in 1876: This portrait of Dr. Gross is a great work--we know of nothing greater that has ever been executed in America.
   
   
     

 

 

Thomas Eakins Miss Amelia C. Van Buren oil painting

Painting ID::  58723

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Thomas Eakins
Miss Amelia C. Van Buren
Miss Amelia C. Van Buren, ca. 1890
   
   
     

 

 

Thomas Eakins The Swimming Hole oil painting

Painting ID::  58724

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Thomas Eakins
The Swimming Hole
The Swimming Hole, 1884-5. Thomas Eakins.
   
   
     

 

 

Thomas Eakins Portrait of Maud Cook oil painting

Painting ID::  58725

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Thomas Eakins
Portrait of Maud Cook
Portrait of Maud Cook (1895), Yale University Art Gallery.
   
   
     

 

 

Thomas Eakins William Rush Carving His Allegorical Figure of the Schuylkill River oil painting

Painting ID::  71003

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Thomas Eakins
William Rush Carving His Allegorical Figure of the Schuylkill River
ca. 1908(1908) Oil on canvas 91.3 x 121.5 cm (35.94 x 47.83 in
   
   
     

 

 

Thomas Eakins William Rush Carving His Allegorical Figure of the Schuylkill River oil painting

Painting ID::  72129

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Thomas Eakins
William Rush Carving His Allegorical Figure of the Schuylkill River
Date ca. 1908(1908) Medium Oil on canvas Dimensions 91.3 X 121.5 cm (35.94 X 47.83 in) cyf
   
   
     

 

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Thomas Eakins
American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".